Doyle II – As We Die (EMP 2017)

Doyle II: As We Die

 

More of the same from the beast that is Doyle Wolfgang von Frankenstein. The thing about horror punk played in the style of Graves-era Misfits is just how much fun it is to listen to. It’s fast, it’s vulgar, it has a sing-along edge and the lyrics are cheesy and catchy.

 

Doyles heavily overdriven guitar has given up a little space in the mixe, which brings out the bass more than on the last record. New bassist Brandon Strate is totally unknown to me, the playing is good and plunky, you know that bass sound that thunders and clicks at the same time. I’m glad to hear a sound that’s not only about the guitar. The Abominator record sounded a bit boring, without the full bottom. This time around it’s a better mix, the drums might a bit too loud for my personal taste, but all in all the sound is more cohesive on this record.

 

Doyle opens the album in the same manner he’s done since the eighties with a slow, heavy build before bursting into Kiss Me as We Die. This might be the most Misfits-esque song on the record; theatrical, big vocals, fast and punky guitars and a rockabilly type bassline. There are quite a few tracks that show off the rockabilly/fifties-pop inspiration; Witchcraft and We Belong Dead are great examples. The choruses really shine on these tunes. Witchcraft has this Dean Martin / Frank Sinatra feel on the chorus, great stuff.

 

As always in the horror punk genre the lyrics are banalities built on top of each other, this is both a nuisance and a pleasure in that they get stupid real fast, but I enjoy the wordplay.

 

In his earlier work Doyle has been restrictive with his fills and melodies. This time around he sometimes sound like he’s auditioning to replace Tommy Victor in Danzig, with a heap of natural harmonics and squeals which leads the mind back to Circle of Snakes. Dark God Rises and Blood on the Axe are the prime examples. There are a few pure punk songs here as well; Night of Sin, Show No Mercy and Run for Your Life are fast, punishing tracks, with hard vocals and rough attitude.

 

Abominator I liked immediately, this one took me a few rounds to get into, but I think maybe I prefer this second record to the first one. It’s a little less cartoony and not as on the nose, maybe a little more complex and … creative I guess is the best word for it. But songs do sound a bit similar: the riffs are creative but the arrangement is not.

 

Positive: Fun horrorlyrics, short aggressive tracks, rockabilly vocals

Minus: stupid lyrics, too much guitar squealing,  

 

Recommended tracks: We Belong Dead, Whitchcraft, Run for Your Life

 

Rating: 3,5 / 5

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