Danzig – Black Laden Crown (Evilive Records 2017)

After the weak sounding covers record Skeletons I didn’t get my hopes up for this release. The sound is in the same sort of low fi Glenn has been doing ever since 7:77 I Luciferi. The songs are doomy and gloomy, mostly slow to mid tempo pieces.

 

Let’s pause a minute to consider the cover art, wow how awful is this cover? Danzig cover art has been a huge part of what has drawn me to the music, especially the Giger drawing of How the Gods Kill, not to mention the classic skull logo or the medieval look of Circle of Snakes. This time around he has chosen to go for the esthetics of his Verotic comic books. I get that he is big into the comic book world, but this cover is too much on the cartoony side for me personally, bit of a disappointment.

 

The sound is very similar to the Deth Red Saboath album. Lyrically this album is better crafted, maybe not as accessible as earlier, but with better quality… quality might not be the right word…shit… they seem less childish and more of a comprehensive body of work.

 

The guitar is heavily overdriven, I’m thinking a thick fuzz sound, Victor likes himself some natural harmonics, so much so that it sort of gets annoying. The riffs themselves are dark, and heavy, reminiscent of Circle of Snakes and 4p. The high, squeaky fills gets a bit much, for my taste. The drums are once again handled by Joey Castillo, who was the from about 95 up through the touring cycle for I, Luciferi in 03. I can’t really say he makes much of an impact on the album. Drums are hollow-sounding and bass-laden, like they’ve been on every danzig-record since the turn of the century. I guess Glenn played the bass and keyboards himself.

 

The opener, which also happens to be the title track, is a sort of half breed between his past half instrumental openers, like Unendlich or Wotans Procession and earlier heavy numbers; like Thirteen or Angel Blake. It’s a slow, but heavy number. Best of all, it has this classic, easy-to-follow Danzig vocal melody. A truly wicked start to the new disc. Eyes Ripping Fire is not a great song, it’s lacking in power and gets dull and seems to drag out, even though it’s only like four minutes long.

 

Devil on Hwy 9, the teaser and the single, isn’t a very good either. The chorus is nice and infectious, but the main riff is just boring and Victor is slightly too active with his fills. I’m sure this will be killer live though, it just falls flat in a studio version.

 

I’ve listened to this album a bunch of times now, and it doesn’t really stick. It kind of falls flat. I get what he’s trying to do with production but when you know that with today’s technology untrained kids can make great sounding stuff in their bedrooms, this low-fi shit doesn’t cut it. It doesn’t sound retro, it doesn’t sound evil, it just sounds half assed.

 

Being a Danzig-fan is hard around the release of new music, because of Danzigs press rounds, he’s now getting to sound like more of a nutcase than Mustaine and that says a bit. Jeebuz man, Glenn says some crazy shit.

 

Let’s end this with: Established Danzig fan? Yes: Get the record, it’s what you expect and want, but with crap production. No: Go to the first four records for some bluesy stuff, record 5 and 6 for some industrial darkness, 7 and 8 for some truly dark, yet somehow popy, music, wait with Black Laden Crown and Deth Red Sabaoth.

 

Recommended tracks: Devil on Hwy 9, Skulls & Daisies

 

Rating: 3 / 5

Overkill – Coverkill (Steamhammer 1999)

I’ve been looking around for this record for quite some time, but it’s not that available in my frigid corner of the world, so I buckled under and bought the damn thing on Itunes. I’m completionist, if it’s an artist I really like, I need to own the entire discography (excepting some compilations, live recordings, singles etc.) or my life will be pointless and sad (ocd?). This hole in my Overkill collection has bothered me for years. And completion feels oh so very sweet.

I’ve talked about my fascination for cover albums when handling Danzigs latest travesty of a record. I downloaded these songs at work, with a slow, slooooow connection, which gave me plenty of time to check out the track list. Three Sabbath covers, wow, a Deep Purple track, Priest, Motörhead, Ramones, Kiss and Tull. Good stuff! But, wait, what’s this? ManOwar? Really? I’m never drunk enough to listen to ManOwar any more. I was in my youth, but now? I’m old fart… man.

I suppose it’s natural to open with the tune they took their name from. The Motörhead classic sound ferocious in the Overkills interpretation. I kind of wish they’d included a studio version, not a live version, oh well. Two of three Sabbath covers sound decent. Never Say Die has never been a personal favorite of mine, I rarely listen to that record at all. Megadeth has also done a cover of this song, but I think Overkill has the edge on this one. Changes I don’t like, Blitz doesn’t really have the voice for ballads, just like Ozzy. The bass really bothers me, it sounds half assed. DD’s bass is bouldering, as always, but it doesn’t fit this particular song. Cornucopia has never made an impact on me, neither the original nor this cover version, so I won’t linger on this tune.

Deuce is just a killer. I find the original Kiss song a bit on slow side. Overkill has sped it up and given it some power, which is totally what this song deserves. This one is just nice. I enjoyed the Ramones cover as well. I had a Ramones period in high school, when I listened to every track I could get my hands on, but this track … I don’t think it ever came my way. I’m not familiar with The Dead Boys, I like this song, but I have no idea how the original sounds. I think maybe they should have picked a different Purple tune, but that’s just me.

This entire album has the same feel as Metallicas Garage Inc. in that the production is not as slick and or precise as the studio albums containing original material. I guess that they’re looking for that garage sound, that feeling of the days when they first started. It’s not the best selection of covers I’ve heard, but certainly not the worst. Overkill had a typical groove metal sound in the late nineties, evident on this record, and it really doesn’t fit well with a few of the chosen tracks on this record.

This isn’t the big whole in my collection I thought it would be. It’s a nice little reminder that Overkill used to be a coverband, but also that they’ve moved on.

Recommended tracks: Overkill, Deuce

Rating 3/5

Ondt Blod – Finnmark (2015)

I’m doing a short shout out for the Norwegian band Ondt Blod,  a lyrical translation of their name would be Evil Blood, I guess, a better translation might be Bad Blood. Their first full length album was released in the fall of 2015 and it fucking rules! The most apparent comparison is with Kvelertak, as they sing in Norwegian and in the fact that shamelessly flip from genre to genre. Ondt Blod has their roots in more of a punk / hardcore sound, where Kvelertak might be considered more rooted in metal.

The songs are quite short, around three minutes, and filled to the rim with energy and attitude. My personal favorite track is Kompis med Satan (Buddies with Satan) which has a hardcore vibe going from the get go and then suddenly transforms into a doomy gloomy middle section, with some rather ominous vocals.

I also like Symbola (Symbols) which has like almost a boogie woogie part as well as some punk parts and Gjengtegn (gang tags) which mixes a little black metal into the hardcore. This album is just crazy good, absolutely brilliant. It’s just fast, fun, hard hitting, head banging mixture of everything hard, fast and heavy.

Highly recommended!!!!!!!!!!!!